The original challenge was to develop an audience for an ensemble of brass players that, at the time, had no standing in the concert world. What set Canadian Brass apart from all other performing artists in 1970 was the relentless search for repertoire that was both loved by its performers and embraced by a growing brass audience.
The musical experiences of the members along with the interests and wishes of audiences informed the programs that the group created ranging from Bach, Handel, Vivaldi, Joplin, Gershwin and Ellington, to ballet, opera and Schickele. The ensemble never ignored an opportunity to relate to its audience which brought the Brass to international attention. They were at first criticized for talking to audiences and now take pride in seeing the entire concert world embracing engagement as a fundamental element of performance.
